![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Heather Schell and Katherine Larsen weave together a number of people in relevant fields and…
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Rachel Walerstein reads Kirsten Lepore’s short film, Hi Stranger, as an ambivalent object that inspires both happiness…
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Eva-Lynne Jagoe explores hunger and desire, weaving fairy tale with theories of orality.
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Sadie Slyfox asks why, despite widespread recognition that all workers’ happiness can be appropriated in…
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
B. Lee Aultman argues for an aesthetic reconsideration of everyday life via the trans ordinary:…
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Shane A. McCoy highlights how Jamaica Kincaid’s novel Lucy allows its readers to learn, and…
Quinn EadesMay 12, 2019
![](https://writingfrombelow.org/wp-content/uploads/2019/10/shutterstock_1282200781-1024x683.png)
Juliane Römhild reconsiders the necessity of happiness to the Humanities and the Arts.
Quinn EadesMay 11, 2019