Section 2
Raped in the centre
Gabrielle Anne Everall
Abstract
This is an autobiographical poem sequence about being raped in the Northern Territory. Split across three linked but distinct numbered sections, each of which foregrounds enjambment and stanza breaks, the poem deploys fictocritical strategies of fragmentation in order to speak both the violence of the rape act and the trauma resulting therefrom. White space is also foregrounded in ways that signify silence while un-doing silence. Recently, a profusion of independent and mainstream media stories, along with the #metoo campaign, have signalled the need for more open discussion and sharing of stories about sexually-driven violence and exploitation. By telling one such story, ‘Raped in the Centre’ contributes to the discussion and to the collective struggle for a world in which all people may feel safe, valued and supported.
Keywords
Poetry; Rape; Violence; Fictocriticism; #metoo
FULL TEXT
(1)
I got raped in the centre
of Australia
the real Australia
red as blood
I could
hear the screams
of the Indigenous women
at night
stupidly I would say
the northern territory landscape
was beautiful
I was spread-eagled
across its cartography
sperm on sheets
stolen lingerie
pornographic magazines
strategically placed on my bed
(2)
He grabbed my hair
like a Neanderthal
and pulled me toward
his crotch
I screamed and screamed
But no-one can hear you
In the middle of no-where
In the centre
of Australia
the real Australia
red as blood
(3)
After he raped me
he laughed
as I ran from his grip
partly naked
my jeans
‘round my thighs
When I heard
the revving of his
engine
I ran into the scrub
and hid there
like a small scared animal
I could barely hear
the cattle above me
They had horns like demons.
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ISSN: 2202-2546
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