The Visitor

Michael James Coombes

This piece uses techniques from musical composition (particularly Messiaen’s manipulation of material), but applied to text rather than notes. This aims to generate new associations and sensations from the text, explore the sensualities generates by the musical montage of patterned textual fragments, and and explore subjectivities beyond individualised intentional bodies.

Subjectivity; Sexuality; Writing; Performance; Sound Text

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License.

ISSN: 2202-2546

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